A Retrospective of Digital Images from the Early 1990s to 2008
The Art House presented Session 17, a retrospective of digital works by Robert P. Clarke, spanning nearly two decades of his innovative practice. Clarke uses photography, video, sound, digital manipulation, and performance to investigate everyday life and capture fleeting moments that reflect society.
This exhibition showcased Clarke’s evolution as an artist, featuring early computer-manipulated photographs, experimental digital compositions, and more recent photographic works. The recent explorations delve into the interplay of body and landscape, using shadows, silhouettes, and imprints to shift and challenge the viewer’s perspective.
Throughout his career, Clarke’s work has remained rooted in his fascination with society, life, and the ephemeral nature of time. His ability to translate these themes through digital media has led to a diverse and dynamic body of work, which continues to evolve. Recently, Clarke has revisited his early Photoshop creations, combining them with pen-and-ink drawings.
In Session 17, Clarke offers a comprehensive view of his artistic journey, reflecting his ongoing engagement with digital media and his exploration of new techniques. Visitors were invited to experience the progression of Clarke’s practice, from his early computer-generated imagery to his latest innovations that blend traditional and digital approaches.
